PÁRVULOS
Three young brothers living in a cabin in the middleof the woods hide a dark, disturbing secret in their basement.
An Taibhse (The Ghost)
1852, post-famine Ireland: A father and daughter take on a caretaking role at a remote mansion during a brutal winter. But as an ancient malevolent force awakens, their peaceful retreat spirals into a chilling descent into madness and terror.
In the Flesh
“In the Flesh” (“En carne viva”) plays with the universal fear of losing the person closest to us and the lengths we’re willing to go to prevent that loss.
Deathstalker
The Kingdom of Abraxeon is under siege from The Dreadites, a mysterious horde of warriors, whose sudden appearance are rumoured to foretell the return of Nekromemnon, an ancient sorcerer long thought dead. Such times of chaos are times of fortune for men like Deathstalker who, having broken ties with all guilds and banners, now ekes an existence from the spoils recovered in the wake of Dreadite attacks.
Our story begins when Deathstalker unknowingly recovers an enchanted amulet from a corpse-ridden battlefield, and finds himself cursed by an arcane magick. Now pursued by a monstrous clan of assassins at the behest of the Dreadite scourge, Deathstalker is forced into a perilous quest to reverse the curse and rid the realm of evil.
Death is just the beginning… of great adventure!”
Junction Row
A veteran recovering from addiction returns to the intentional community she once called home in search of her missing friend, but finds that it has been infiltrated by an otherworldly force.
Every Heavy Thing
Director Mickey Reece takes us on a journey centered around an ad-seller for one of the last alt-weeklies in the country, who, after witnessing a murder, is intimidated into being the killer’s reluctant accomplice.
The Muglur
Director Lucila Las Heras directed the award-winning short “The Open Window”, is about to premiere “The Callback”, and received two EMMY Kids Award nominations for her work as a TV Staff Writer for Latin American Television.